We are privileged to conduct business from the small market town of Wotton-under-Edge.
We specialise in the sale of ceramics, glassware, jewellery, clocks & watches, collectables, textiles, silver, metal ware, paintings & fine art, furniture and outside effects.
William Scott (1913-1989) - 'Arran', signed, limited 34/50 lithograph, 55 x 67cm
about Lot 588
Bernard Dunstan (1920-2017) - 'Sunday in the Prado', monogrammed B.D., titled by the artist verso, oil on board, 28 x 30 cm, framed
about Lot 534
Bridget Riley (Born 1931, British) - 'Elapse', signed, titled and dated 1982, screen print of woven paper, 100 x 65cm, framed
about Lot 584
Craigie Aitchison (1926-2009) - 'Sheep in the moonlight', signed and dated 1999, limited 15/75, screen print in colours, on black woven paper, 51 x 41 cm, framed
about Lot 541
Mary Fedden (1950 - 2012, British) - 'Girl in Red', signed and dated 1983, inscribed verso, watercolour, 21 x 17cm, framed
about Lot 527
Laurence Stephen Lowry (1887 - 1976, British) - 'Peel Park', signed, blind stamp seal, inscribed to top of mount, Published in 1975 by Venture Prints Ltd, Bristol, England, Copyright In All Countries Including The USA, Printed in England, colour lithograph, 38 x 76cm, framed
about Lot 504
Edward Bawden (1903 - 1989) - 'Albert Bridge', 43/75 lino cut, 66 x 51cm, unframed
about Lot 520
William Scott (1913-1989) - 'Three Pears and Pan', lithograph, 26 x 35cm, framed
about Lot 587
Bernard Dunstan (1920-2017) - 'Dinner At The R.A.', monogrammed BD, oil on board, The Patricia Wells Gallery, Bristol, label verso, further inscriptions verso, 21 x 20 cm, framed
about Lot 533
Stella Bowen (1893-1947, Australian) - Study of a classical statue stood on a plinth, signed, various labels verso, oil on board, 61 x 50cm, framed
about Lot 568
Our position on the current lockdown situation
A quick message from Philip Taubenheim on how we want to keep to our traditional values
Customer information for visiting our premisies
Covid 19 rules and regulations
Covid 19 Delays and the auction industry
Why we've waited and waited and waited
